Page of history: Georgiy Shleifer
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On June 16, 1855, in Kyiv, Georgy Shleifer was born in a family of Kyiv Germans — an architect, a civic figure who left a noticeable mark in the architectural form of Kyiv.The Schleifers moved to Kyiv at the beginning of the 19th century. His father, Pavlo Shleifer, was a portrait painter, architect, and from 1844 he taught drawing at the Kyiv Institute of Noble Girls. In 1847, he competed with Taras Shevchenko for the position of a teacher of drawing at St. Volodymyr's University of Kyiv, but failed. The artists were well acquainted with each other. In Shevchenko's work, Pavlo Shleifer is mentioned in the story "Gemini".By the third grade, George studied at the 2nd Kiev Men's Gymnasium on Bibikovsky Boulevard (now Taras Shevchenko Boulevard), which his father brought together. Then he moved to the 1st Gymnasium, which was nearby (now-Yellow Corps of Taras Shevchenko National University of Kyiv), which he graduated in 1874. He then went to St. Petersburg, where he successfully graduated from the construction school with the title of civilian engineer of the 1st category. In 1882, Georgy Schlefer returned to Kiev to devote all his life to the development of his hometown.The first project implemented by Georgy Shleifer, and which immediately brought success to the 28-year-old architect, was the Kyiv Stock Exchange. The building in the style of the late Renaissance became the decoration of the horn of Khreshchatyk and Instytutska streets.The Kyiv Stock Exchange was an important center of not only business but also cultural life of the city. In the hall of the building, art exhibitions were often held, in particular, the annual expositions of the Society of Traveling Exhibitions. Much later, in December 1908, the II International Photo Exhibition was held in the premises of the exchange, at which the architect's sister, Anna Shleifer, the owner of the X-ray room, received a high award. She was noted for her own X-rays.Unfortunately, like many other buildings in the center of Kyiv, in September 1941, the exchange was blown up by the NKVD troops during the retreat of Soviet troops from Kyiv.Even during the construction of the exchange, George was elected a member of the Kyiv City Duma. Since then, Georgy Shleifer has been involved in solving the issues of development and development of Kyiv for four decades. Within a year, he headed the construction commission. In fact, no building was erected in Kyiv without his permission.In 1885-1894, as a member of the Kyiv City Duma, he was responsible for construction affairs, from 1882 to 1911 — he was repeatedly elected as a vowel to the City Duma.Shleifer participated in solving a number of issues related to the municipal economy. In particular, in 1886–1887, he provided his estate on Podil for research in the field of artesian water supply.In 1885, Georgy Shleifer contributed to the formation of a city joint-stock credit company, which was engaged in construction mortgage – issued funds for the construction of real estate for long periods and at low interest rates. Soon, Shleifer was elected chairman of the board for life. The company brought large profits, as it issued loans to about hundreds of wealthy Kyivans every year.Thanks to the activities of the credit society, Shleifer himself made a considerable fortune. He bought land in downtown Kyiv, built houses there, and then sold it. This gave him the opportunity to engage in architectural projects that appealed to his heart, without being distracted by small and secondary ones. Therefore, there are relatively few buildings by Shleifer in Kyiv (and even fewer of them have survived to this day), but almost each of them is a kind of masterpiece of architecture.In 1897, at the request of the sugar magnate of Lazar Brodsky, George built a choral synagogue. The most developed construction company Leo Ginsburg was chosen for construction. The cost of the project was simply overwhelming and was 150,000 rubles. The synagogue was opened in 1899 before the customer's birthday. The building combined Romanesque, Gothic and Moorish styles. However, it did not last long. Already in 1926, the Bolshevik authorities closed the synagogue, turning it into a club, a school, and then-accessing a military-sanitary circle. Since 1955 it housed a puppet theater. In the early 1990s, the synagogue was returned to the Jewish community, now it is the central synagogue of Kiev, which is also called the synagogue of Brodsky.One of the most high-profile construction projects in Kyiv in the late 19th and early 20th centuries was the construction of the huge estate of Professor Friedrich Moering, which occupied an area of more than 10 hectares between Khreshchatyk and Lypky.After the professor's death, his heirs sold this plot for 800,000 karbovanets to the Kyiv Housebuilding Society, headed by Heorhii Shleifer. It was he who was engaged in the planning and development of the quarter. In a fairly short time, the following streets were equipped on the site: Mykolaivska (now - the architect of Horodetskyi), Myoringivska (now — Maria Zankovetska), Stanislavska (New), Olhynska and Mykolaivska Square (now — Ivan Franko).New streets were built with luxurious profitable houses built according to the projects of the leading architects of the time: Eduard Bratdman, Vladyslav Horodetskyi, Mykola Kazanskyi, Martin Klug, Oleksandr Verbytskyi, Mykola Yaskevych and others.The key buildings of the new quarters were erected mainly in the creative tandem of George Schleifer and Edward Bradtmann. Thanks to their joint work on the site appeared a luxury five -star hotel "Continental", the ginzburg house in the street of Nikolaevskaya (now architect Gorodetsky, 9), the house of Prussian Baron Wilhelm Heselbein (Street of Architect Zeorodetsky, and 15) neo -Gothic. The miracle of these structures survived, although they were damaged by September explosions and fires in 1941. The circus or Hippo-palace was less fortunate to be destroyed.Together with Bradtman, Schleifer also erected the Solovtsov Theater in the Neo-Greek style (now the Ivan Franko National Academic Drama Theater on Ivan Franko Square). On the opening day of the theater in 1896, Shleifer himself received a personal box for life use.Some surviving buildings were rebuilt in haste and with significant losses in decoration and interiors. Unfortunately, the original luxurious decoration of the facade also lost the building of the Franko Theater, which, after Soviet reconstruction and restructuring, now has a rather vague architecture"Kyiv Paris" — so often called the new quarter — immediately gained immense popularity among Kyivans, becoming a kind of business card of the city. The area often appeared on postcards next to ancient sacred monuments of ancient architecture.At the same time, in the last years of the 19th century, Georgy Shleifer implemented his project of the 1st Commercial School on Bulvarno-Kudryavska Street, 24. During the first years of its existence, the faculties of the Kyiv Polytechnic Institute were located here – until separate buildings were built for KPI on the Brest-Litovsk highway (now Brestsky Prospekt). Now the building houses the Renaissance business center.In 1908, Georgy Schlefer developed a project of a covered market on Bessarabka. He conceived a luxurious, almost theatrical composition of the facade with a dome, elements of neo -rerenchens and eclecticism, with incredibly detailed windows and decorative inserts. It is obvious that he saw the market not only as a place of trade, but also as an architectural pearl of the city. Unfortunately, this project was rejected, and in 1908 the competition was won by the more restrained work of the Polish architect Henryk Guy, in the Art Nouveau style, which was eventually put to life during 1910-1912.Georgy Schlefer also took care of respectable housing for his family (the architect was married to Olga Chernova, had a son George and daughter Ariadne). In 1909, at the corner of Institutskaya and Sadova streets, he built a five -storey mansion in modern style. Some of the apartments in it rented. Unfortunately, it has been reinstated today. Also next year, the architect erects a luxurious five -storey building in the Art Nouveau style. At the level of the second floor, both buildings were interconnected and served as apartments for his family members.In his mansion, the architect designed special lighting and a glass ceiling for his own painting gallery. According to the memoirs of the artist's descendants, he hospitably opened the doors for visitors on holidays, and also often provided his paintings for various exhibitions. With the advent of the Bolshevik authorities, the collection of paintings was divided between the museums of Kyiv. More than 20 paintings, including a portrait of Caroline Shleifer's mother, are in the collection of the National Art Museum.This was the architect's last completed work.At the end of his life, he focused on collecting paintings, among which were works by Ukrainian artists – Taras Shevchenko, Ilya Repin, Oleksandr Murashko.For many years, Georgy Shleifer took care of the protection of monuments. In February 1912, he was one of the specialists-historians and amateurs who founded the department "Ancient Kyiv" at the Kyiv Art, Industrial and Scientific Museum. Once at a meeting of the commission, he proposed to publish the first volume of "Materials on the History and Topography of Ancient Kyiv" at his own expense, as well as to assist in reviewing the ancient plans of Kyiv, which were stored in the provincial archive.Georgi Shleifer died on April 9, 1913 from gastric bleeding at the age of 58. The farewell ceremony took place in the art gallery. An outstanding architect was buried in the crypt on Askold's grave. However, it has not survived to this day: twenty years later, the cemetery was destroyed by the Bolsheviks in order to turn the place into a "park of culture and recreation".